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Gary Detonnancourt

Harrisville, RI 02830
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More Than A Snapshot provides online photography education.

Booth Bay Harbor 2013-5410-color enhanced.jpg


This is the blog for More Than A Snapshot's Online Photography Classes.  In these blog posts I will give photography tips, tutorials, and show images.

Filtering by Category: News

Black Friday Deals for Photographers

Gary Detonnancourt

  1. TOMTOP 24-Inch 60cm 5 in 1(Gold, Silver, White, Black and Translucent) Portable Photography Studio Multi Photo Disc Collapsible Light Reflector (Photography accessories) (Collapsible)


2. Amazon Basics DSLR and Laptop Backpack - Orange interior


3. Canon Digital SLR Camera Body [EOS 80D] with 24.2 Megapixel (APS-C) CMOS Sensor and Dual Pixel CMOS AF - Black


4. Lowepro Photo Sport 300 AW II - An Outdoor Sport Backpack for a DSLR Camera or the DJI Mavic Pro/Mavic Pro Platinum


5. Canon Portrait and Travel Two Lens Kit with 50mm f/1.8 and 10-18mm Lenses




7. Canon EF 100-400mm f/4.5-5.6L IS II USM Lens


8. Canon EF-S 24mm f/2.8 STM Lens


9. Nikon D7200 DX-format DSLR w/ 18-140mm VR Lens (Black)


10. Canon Mirrorless Camera Body [EOS M50] with 4K Video, 24.1 Megapixel (APS-C) CMOS Sensor - Black

Skylum is Releasing a New Version of Aurora HDR 2019

Gary Detonnancourt


Skylum, formerly know as MacPhun, will be releasing a new version of Aurora HDR 2019 on October 4th but you can pre-order the software today and get some special bonuses. I’ll put the pre-order link and details below. MacPhun used to make great image editing software for the Mac, but they have re-invented themselves as Skylum and now offer their software for both Mac and PCs.

Why do you need an HDR program or plugin? Well it all comes down to dynamic range. When you look at something with your eyes you can see about 20 stops of light which means you can see details in the shadows and in the highlights of a scene. The problem is your camera isn’t as good as your eyes and most cameras can only capture about 10-12 stops of dynamic range. This means that you will end up with some images that have over exposed highlights or underexposed shadows.

The solution to this problem is to take a series of bracketed exposures ( like -2 ev, 0, and +2 ev) and combine them with an HDR program like Aurora HDR 2019. It helps to take these images with a tripod so you get exactly the same shot every time. This will allow you to use all of the best parts of the exposures and to combine them into one image that has the correct exposure throughout the entire image. Did you forget to take a bracketed series of images? No problem, Aurora HDR can extract the most information possible out of a single image and the final result will have more detail throughout your exposure.

I have used Nik HDR Effects and Lightrooms HDR processing and I have to say that I think Aurora HDR 2019 is the best in class and definitely the most up to date and modern software for creating HDR images. First of all Aurora HDR is fairly simple to use, but most importantly I think it gives you the most creative options for processing your image. There are plenty of Looks, LUTs, and adjustment tools that you can use to customize your image more than any other plugin I’ve seen.

I highly recommend Aurora HDR 2019 because it can really help take your images to the next level. It offers totally none destructive editing with a new and improved History panel which will allow you to revert back to any point in your editing workflow. Here are a few more details about the new version.

Skylum’s Quantum HDR Engine harnesses the power of AI for a more streamlined editing experience than ever before. It reduces burned-out colors, loss of contrast, noise and unnatural lighting caused by halos and unstable deghosting.

The Quantum HDR Engine has taken three years to create within Skylum’s AI lab, and contains the vast knowledge of the development team paired with artificial intelligence to bring you seamless HDR editing, be it with a single image or multiple bracketed shots.

Skylum’s developers tested thousands of bracketed shots through a neural network, and used the results to develop the technology needed for creating incredible HDR photographs - whether it’s real estate, landscape, cityscape or any other type of HDR photography.


Here are the most essential changes:

  • New Quantum HDR Engine

  • LUTs support with 11 New Integrated LUTs

  • Photoshop plugins support

  • New HDR Smart Structure filter for realistic and artefact-free structure (can be found in the new HDR Enhance filter)

  • Presets are now called ‘Looks’

  • Improved Adjustable Gradient filter with new sliders for Shadows and Highlights added

  • Improved HDR Details Boost Effect (the photo is shown in high-resolution while fine-tuning the filter)

Aurora HDR 2019 will be available for pre-order on September, 12, and released on October, 4.


Pre-Order Pricing:

  • Current users may upgrade at a price of $49 USD ($59 USD MSRP)

  • New users can purchase Aurora HDR 2019 at a price of $89 USD ($99 USD MRSP)


Pre-Order Bonuses:

  • Video Tutorial: Getting the Most from Aurora HDR 2019 by Trey Ratcliff

  • Landscape Photography Handbook by  David Johnston

  • Burning Moods Looks by Richard Harrington

Click here to pre-order your copy of Aurora HDR 2019

Chris & Jordan's first impressions of the Fujifilm X-T3

Gary Detonnancourt is the world's biggest digital camera review website. Welcome to our YouTube channel! Subscribe for new feature videos, reviews, interviews and more. Discover the world's most in-depth digital camera reviews at
The Fujifilm X-T3's video specs are so impressive that the camera it most makes sense to compare its output to is Panasonic's GH5. With a little help from the DPReviewTV crew in Calgary, we've shot some side-by-side comparisons between these two video powerhouses. We've shot them both at matched exposure settings and approximately matched depth-of-field setting.

It's Official, Canon Announces the New EOS R

Gary Detonnancourt

Along with the announcement of EOS R, are four high-quality RF lenses that will expand photographers' world of expressions. The line-up of RF lenses are: * RF28-70mm F2 L USM * RF24-105mm F4 L IS USM * RF 50mm F1.2 L USM * RF 35mm F1.8 Macro IS STM EOS R is also compatible with the full line of EF lenses via a choice of mount adapters.


Optical Innovation Inspires the Next Leap Forward in Imaging

MELVILLE, N.Y., September 5, 2018 – Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the next revolution in the company’s long history of innovative and award-winning camera systems, the EOS R system featuring the newly designed RF mount. Recognizing the need to advance optical design, the Company sought to create a versatile and powerful new system that supports all current EF, EF-S, TS-E and MP-E lenses[i], and also provides the optical advancements and engineering flexibility to build upon for years to come.

When Canon set forth to develop a new interchangeable lens camera system, they focused on three core optical principles: high-image quality, high-specification performance, and compact design. Recognizing that optics is the foundation for any camera system, the RF mount was conceived to open new doors in optical design. Canon’s new RF mount features the same size diameter as the EF mount (54mm) and shorter back focus distance. This allows for lenses to sit closer to the sensor (the focal plane) and allowed Canon optical engineers to reimagine lens design utilizing larger rear lens elements to produce an image on the full-frame sensor. This new optical formula has paved the way for higher performing lenses. In addition, the Canon RF mount features a high-speed 12-pin communication system that provides faster and more in-depth communication between the camera and lens over existing Canon mount systems.

The EOS R system is designed for full, uninhibited compatibility with all existing EF, EF-S, TS-E and MP-E lenses through the use of mount adapters[ii]. In addition, through the use of the optional Drop-In Filter Mount Adapter or Control Ring Mount Adapter these lenses, in fact, gain functionality.

“There has never been a time in history in which visual expression has been so prolific. Imaging, both still and video, are the communication mediums of today’s society. Much in the same way we learned to type in the past, today’s youth are skilled in shooting, editing, and visual storytelling in ways that only the masters of each craft were decades ago,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “Knowing this, we needed to step back and design a system that delivers all the creative expression and functionality today’s youth crave, now and in the years to come.”

The First in a New System: The EOS R

The new Canon EOS R full-frame mirrorless camera features a 30.3 megapixel CMOS sensor that is powered by the Company’s latest image processor, DIGIC 8, enabling shooting at up to 8.0 frames per second[iii]. The new camera inherits a lot from Canon’s legacy in both EOS and Cinema EOS. Video storytellers can capture stunning 4K UHD video up to 30fps and record in 10-bit 4:2:2 (with an external recorder). The EOS R also comes with the ability to shoot Canon Log, providing 12 stops of dynamic range, minimal loss of detail in shadows and highlighted areas and an increased range of choices when color grading. Users with an existing collection of Canon lenses will be excited to know that all EF and EF-S lens are compatible with the camera. In order to do so, photographers and videographers can choose between using one of three new mount adapters, each uniquely designed to meet the individual needs of the user.

The new Canon EOS R camera features Dual Pixel CMOS Auto Focus with 5,655 manually selectable AF points[iv], supporting AF at up to f/11 with a 384 zone (24x16) real-time metering system. With f/1.2 lenses, the camera astonishingly boasts AF sensitivity in low light in as little as EV-6. When using the RF 24-105mm F4 L IS USM lens with the EOS R, the camera can focus in as little as 0.05 seconds with Dual Pixel CMOS AF[v], making it the fastest autofocus speed in the world[vi]. These features provide photographers and videographers with Canon’s most advanced AF system to date. The EOS R also features a silent shutter setting when shooting in single-shot mode; an important feature for those who need to capture imagery without disrupting the scene. An upcoming free firmware update will enable silent shutter in continuous shooting mode as well.

“The EOS R system is not just a new camera or a new lens mount, it is a new design that will allow us to produce visual tools that were previously impossible, and allow our customers to tell their stories with greater depth, richness of color, and creative flexibility, in optically stunning ways.” states Kazuto Ogawa

Thoughts From the First Users

“I think every camera system has its place and it’s all about having the right tool for the job,” reported acclaimed outdoor photographer and Canon Explorer of Light Jimmy Chin. “The new EOS R system for me in particular is very useful for the kind of shooting that I do in the mountains, where I need to worry about the size and weight. Having the option to use the new RF lenses or the EF lenses is really great.”

“I was instantly impressed with how quickly the EOS R was able to focus,” remarked celebrated fashion photographer and Canon Explorer of Light Lindsay Adler. “Whether my subject was moving or I was shooting in near-complete darkness, I had no problem getting tack-sharp focus in every shot. It was a relief to know my gear wasn’t going to hold me back from executing my vision, but instead it would really help me to execute this vision.”

“For us, it's all about getting the shot no one else can get, and a lot of this has to do with the camera,” says Devin Graham, director and filmmaker behind YouTube’s DevinSuperTramp. “The new EOS R will become one of our main cameras. It has a very small footprint, yet is able to create amazing images. As for the lenses, the new RF 28-70mm F2 has just become one of my all-time favorites. I’ll be bringing it on every project.”

Conveniently placed just to the right of the EVF, Canon has introduced a new Multi-Function Bar that will allows users to more easily access their customizable settings, such as AF, ISO and White Balance. Users will have the option to either slide or tap the bar to gain access to the settings and adjust on-the-go as they deem necessary depending on each particular shooting situation.

Answering the demand for enhanced mobile editing of RAW image files, Canon is also announcing a new application, Digital Photo Professional Express (DPP Express). In combination with an updated Canon Camera Connect App, DPP Express enables users to send, view, edit and process CR3 RAW files on their iPad[vii]. A free download of the app will be available October 2018.

Additional noteworthy features of the EOS R Camera include:

  • RF Mount Compatible with RF Lenses and EF/EF-S Lenses
  • Built-in EVF with 3.69 Million Dots, Vari-angle Touchscreen LCD and Dot-matrix LCD Panel
  • ISO range of 100-40,000, expandable to 102,400
    • USB 3.1 in-camera charging support
  • Built-in Bluetooth and Wi-Fi® providing easy sharing to compatible smart devices and social media sites
  • Single UHS-II SD card slot
  • CR3(RAW/C-RAW) and Dual Pixel RAW Support
  • Dust and weather resistant

Availability and Pricing

The Canon EOS R full-frame mirrorless camera is scheduled to be available in October 2018 for an estimated retail price of $2299* for the body only. It will also be sold as a body-and-lens kit with the new RF 24-105mm F4 L IS USM lens for $3399*.

[i] When attaching an EF-S lens via any of Canon’s new R-series mount adapters, the new EOS R automatically switches to APS-C crop mode.

[ii] When attaching an EF-S lens via any of Canon’s new R-series mount adapters, the new EOS R automatically switches to APS-C crop mode.

[iii] Continuous shooting speed may vary depending on the shutter speed, the aperture, the lens being used, the battery charge and various camera settings.

[iv] Available AF points may decrease when shooting with AF cropping or in movie mode, or depending on camera settings or lens attached.

[v] Based on results of AF speed tests in accordance with CIPA guidelines. Results may vary depending on shooting conditions and lens in use. Relies on internal measurement method.

  • Brightness at time of distance measurement: EV12(regular temperature, ISO 100)
  • Shooting mode: M
  • Lens in use: RF 24-105mm F4 L IS USM, with focal distance of 24mm and live-view mode on(with manual shutter button operation
  • AF mode: Live single-point AF(central) and AF operation: One-shot AF

[vi] Among interchangeable lens digital mirrorless cameras incorporating 35mm full frame equivalent image sensors with phase-difference detection AF on the image plane and contrast detection AF, available in the market as of September 5th, 2018 (Based on Canon's Research).

[vii] Compatible with iPad models utilizing iOS 11 or later and equipped with at least 2GB of onboard RAM—specifically, iPad Pro (all models), iPad (5th generation), iPad (6th generation), iPad mini 4 and iPad Air 2.

*Availability, prices and specifications are subject to change without notice. Actual prices are set by individual dealers and may vary.

Canon EOS R specifications


MSRP$2299 (body only), $3399 (w/24-105 F4L lens)

Body type

Body typeSLR-style mirrorless

Body materialMagnesium alloy


Max resolution6720 x 4480

Other resolutions4176 x 2784 (1.6x crop)

Image ratio w:h1:1, 4:3, 3:2, 16:9

Effective pixels30 megapixels

Sensor photo detectors32 megapixels

Sensor sizeFull frame (36 x 24 mm)

Sensor typeCMOS

Color spacesRGB, Adobe RGB

Color filter arrayPrimary color filter


ISOAuto, 100-40000 (expands to 50-102400)

Boosted ISO (minimum)50

Boosted ISO (maximum)102400

White balance presets6

Custom white balanceYes

Image stabilizationNo

Uncompressed formatRAW

JPEG quality levelsFine, normal

File format

  • JPEG
  • Raw (14-bit Canon CRW)
  • C-Raw (Canon compressed Raw)

Optics & Focus


  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View

Autofocus assist lampYes

Manual focusYes

Number of focus points5655

Lens mountCanon RF

Focal length multiplier1×

Screen / viewfinder

Articulated LCDFully articulated

Screen size3.2″

Screen dots2,100,000

Touch screenYes

Screen typeTFT LCD

Live viewYes

Viewfinder typeElectronic

Viewfinder coverage100%

Viewfinder magnification0.76×

Viewfinder resolution3,690,000

Photography features

Minimum shutter speed30 sec

Maximum shutter speed1/8000 sec

Exposure modes

  • Program
  • Aperture priority
  • Shutter priority
  • Manual

Built-in flashNo

External flashYes (via hot shoe)

Flash X sync speed1/200 sec

Drive modes

  • Single
  • High-speed continuous
  • Low-speed continuous
  • Self-timer

Continuous drive8.0 fps

Self-timerYes (2 or 10 secs)

Metering modes

  • Multi
  • Center-weighted
  • Spot
  • Partial

Exposure compensation±3 (at 1/3 EV, 1/2 EV steps)

AE Bracketing±3 (3 frames at 1/3 EV, 1/2 EV steps)

Videography features

FormatMPEG-4, H.264


  • 3840 x 2160 @ 30p / 480 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, AAC
  • 3840 x 2160 @ 24p / 480 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 120 Mbps, MOV, H.264, AAC
  • 3840 x 2160 @ 23.98p / 480 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 23.98p / 120 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 60p / 180 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 60 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 30p / 90 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 30 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 24p / 90 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 30 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 23.98p / 90 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 23.98p / 30 Mbps, MOV, H.264, AAC
  • 1280 x 720 @ 120p / 160 Mbps, MOV, H.264, Linear PCM




Storage typesSD card (UHS-II supported)


USBUSB 3.1 Gen 1 (5 GBit/sec)

USB chargingYes (with LP-E6N only)


Microphone portYes

Headphone portYes


Wireless notes802.11b/g/n + Bluetooth 4.1 LE

Remote controlYes (via smartphone)


Environmentally sealedYes

BatteryBattery Pack

Battery descriptionLP-E6N lithium-ion battery & charger

Battery Life (CIPA)370

Weight (inc. batteries)660 g (1.46 lb / 23.28 oz)

Dimensions136 x 98 x 84 mm (5.35 x 3.86 x 3.31″)

Other features

Orientation sensorYes


Leaked! Canon Full Frame Mirrorless Camera Images & Specs

Gary Detonnancourt

Here is a sneak peak of the new Canon EOS R which is supposed to be announced on September 5th.  All images are from the Japanese camera rumor website Nokishita first published the leaked images and details. Canon Rumors also published a set of specs.

Canon EOS R Specifications

  • 30.3mp Full Frame CMOS
  • Dual pixel CMOS AF
    • 100% vertical x 88% horizontal AF coverage (We think)
  • EV -6 low brightness autofocus
  • 4K video
  • Touchscreen LCD
  • Articulating screen
  • Wi-Fi
  • Bluetooth
  • Microphone jack
  • Headphone jack
  • Dustproof
  • Drip-proof
  • Magnesium body
  • Battery: LP-E6N
  • Battery grip: BG-E22
  • Size: Width of about 136 mm × height of about 98 mm
  • Weight: Approximately 580 g
  • Mount: inner diameter 54 mm, flange back 20 mm, 12 pin
  • Mount adapter: “Mount adapter EF – EOS R” “Control ring mount adapter EF – EOS R” “Drop – in filter mount adapter EF – EOS R”

Canon RF 35mm f/1.8 IS STM Macro

  • Size: Approximately 74mm (2.9 inches) × 62mm (2.4 inches)
  • Weight: Approximately 306g (10.8oz)

Canon RF 24-105mm f/4L IS USM

  • Size: Approximately 83mm (3.26 inches) x 107mm (4.2 inches)
    • Compared to the EF 24-105mm f/4L IS II 83mm (3.26 inches) x 118mm (4.64 inches)
  • Weight: Approximately 698g (1.5lbs)
    • Compared to the EF 105mm f/4L IS II 795g (1.75lbs)

Photos of the four first RF lenses have leaked as well. Here are the 35mm f/1.8 M IS, 50mm f/1.2L, 28-70mm f/2L, and 24-105mm f/4L.

5 Day Deal Photography Business & Marketing Give Away

Gary Detonnancourt

Signup to win, up to $10,000 worth of gear.  Here is the awesome list.

$1,299.00	Apple Macbook Pro (Year End)*
$586.78		DJI Phantom 3 Standard Quadcopter (Year End)*
$749.00		Canon EOS Rebel T6 Digital SLR Camera Kit with EF-S 18-55mm and EF 75-300mm Zoom Lenses (Black)
$54.95		LowePro StreamLine Sling Backpack (3 prizes)
$170.00		ThinkTankPhoto Retrospective 7
$450.00		AsukaBook album
$300.00		Private Business & Marketing Consulting Session + Signed Copy of Living the Dream (2 prizes)
$80.00		Carpe Diem Supply Co. Bundle by Chris Orwig (3 prizes)
$599.88		Adobe - Creative Cloud - All Apps - 1 Year Membership
$359.64		Adobe - Creative Cloud Photography (Ps & Lr) - 1 Year Membership (3 prizes)
$299.00		Sue Bryce Education Membership - 1 Year (3 prizes)
$379.00		The Wedding School Enrollment - Lifetime Access (2 prizes)
$49.00		FilterGrade Photoshop Actions Bundle (5 prizes)
$294.74		Photography Concentrate Giveaway Bundle
$329.00		Photoshelter Standard Account - 1 Year Subscription (5 prizes)

Product Photos and Full Specs for the Canon 5D Mark IV Leaked

Gary Detonnancourt

Product Photos and Full Specs for the Canon 5D Mark IV Leaked

The 5D Mark IV will sport a 30.4MP sensor, Dual Pixel AF, 61 point AF sensor with 41 cross-type, a 150,000-pixel RGB + IR sensor, 7fps continuous shooting, extended ISO from 100 to 102400, touchscreen LCD, dust and weather sealing, built-in WiFi, built-in GPS, NFC capability, 4K at 30fps, USB 3.0 and HDMI inputs, and a time-lapse movie mode.

Battle of the 85 mm Lenses

Gary Detonnancourt

At the NECCC conference this past weekend, I was able to test a few 85 mm lenses.  This is a great focal length for portraits and for creating lots of creamy bokeh.  They also tend to be pretty sharp since they are prime lenses.  I tested the Olympus 45 mm f1.8, Rokinon 85 mm f1.4, the Canon f1.2, and the Panasonic Leica Nocticron 42.5 mm f1.2.  Sony also has an 85 mm f1.4 G Master wich is supposed to be very good but I didn't test that lens since I don't have a Sony camera.

First of all, I would like to shot two images to show why you might want a lens with such a wide aperture.  It's certainly much easier to shoot with an f2.8 or f4 lens but you just don't get the same amount of bokeh.  Here is a shot taken with the Rokinon f1.4 and one taken with the Canon 24-105 mm f4.

Rokinon f1.4 at f2 shot on a Canon 5D MarkIII

Canon f4 at f4 shot on a Canon 5D MarkIII

As you can see in the first image the background is more blurred.  The bokeh is also affected by distance and the model on the right may have been a little closer to the wood but in general all of those shots were sharp throughout.

Canon f1.2 at f1.2 on the Canon 1DX MarkII

Rokinon f1.4 at f2 shot on the Panasonic GH4

I was shooting both of the above lenses on Canon bodies.  The Canon F1.2 is an amazing lens and produces a very unique look.  I had heard the autofocus on this lens was slow.  I didn't find that to be the case but focusing was a challenge at f1.2 and many of my images were out of focus.  I wasn't using my camera so I think with some practice this would be less of an issue.  The depth of field is so shallow, if you get the eyes in focus the skin looks very soft, probably because it's partially out of focus.  Click on the images to see them up close.  The Rokinon seemed to be a bit sharper but I was shooting it at f2.  The Rokinon is a manual focus lens and it was extremely difficult to get the eyes to be sharp.  I had a ton of images that were out of focus.  On the rare occasions when I did get the focus right, the images look amazing.  

The Canon would obviously be the better lens but it costs nearly $1900 while the Rokinon is only about $269.  I also tested the Nocticron for my Panasonic GH4 and I found this lens to be the easiest to use.  The images were always in focus and sharp with nice bokeh.  This lens also has image stabilization so it really does well in low light.  I only tested this lens in a dark hall so the images are terrible (shot at ISO 3200) but I think you can see this lens is pretty amazing as it should be since it costs around $1400.

42.5 mm Nocticron F1.2 shot on the Panasonic GH4

Olympus 45 mm F1.8 shot at F1.8 on an Olympus EM1